Von Claire Lefèvre initiiert, ist Letters for later ein Schreibprojekt, das es dem Publikum ermöglicht, offene Briefe über Aufführungen im brut-Programm zu verfassen. Diese Briefe richten sich an die Künstler*innen, das Stück oder die Welt und bieten eine sanfte und persönliche Alternative zum Schreiben von Rezensionen. Sie laden die Zuschauer*innen ein, ihre Eindrücke aus einer Position der Sorgfalt und Neugier heraus zu teilen und gleichzeitig die Subjektivität ihrer Eindrücke zu würdigen.
Inge Gappmaier – protect. there is no wind in geometrical worlds
Azra H is interested in performative activism and art beyond the binary. After Inge Gappmaier's "protect." they are writing a letter to their long-haired cat.
Negin Rezaie ist bildende und darstellende Künstlerin, Schauspielerin, Kuratorin, Erfinderin und Aktivistin. Inspiriert von ihrem Besuch der Performance the way of ink schreibt sie einen Brief an die Erinnerung.
Mathea Magdalena, a transgender artist interested in creating interactive visual and performative spaces, situations and environments with an interdisciplinary approach, share their letter for later inspired by Lau Lukkarila's "Nyxxx".
Liv Schellander, dance and performance artist, choreographer and facilitator shares her thoughts about the opening performance of this years imagetanz "Again the Sunset" by Inga Huld Hákonardóttir.
Ingrid Berger Myhre & Lasse Passage – Panflutes & Paperworks
Performer and writer Claire Lefévre adresses her letter about "Panflutes and Paperwork" to Ingrid Berger Myhre, whose work she encountered in the past.
Melina Papoulia is a dance student at MUK - Music and Arts University of the City of Vienna. She shares her experience about Henrike Iglesias – FRESSEN and writes a letter to tomato-mozzarella
Juraj Bako, student of Digital Arts at the University of Applied Arts in Vienna, adresses his letter to something we all have more or less in common – hair. Inspired by Georg Blaschke & Jan Machacek – ani_male
Johannes Müller/ Philine Rinnert+ Genoël von Lilienstern – Aids Follies
Victor Schlothauer, student of Comparative Literature and Theatre, Film and Media Studies at the University of Vienna shares his thoughts about "Aids Follies" in a new edition of Letters for Later.
Nora Hofmann, student of „Sprachkunst“ (Language Art) at the University of Applied Sciences Vienna wrote a letter to love inspired by "Octopus" by Navaridas/Deutinger/Szalay
Gabriele Coura, PhD candidate in Tibetan Studies and an Associate Lecturer for History of Tibet at the University of Vienna - as well as a dance and performance aficionada, shares her thoughts about Theater im Bahnhof's "Frauenturnen".
PhD student at University of Vienna and journalist, Wera Hippesroither shares her thoughts about "Angry Hour" by Sööt/Zeyringer in a new edition of "Letters for later".
Student of Digital Arts at the University of Applied Arts in Vienna, Juraj Bako shares his thoughts about "Carré Noir" by Elisabeth Bakambamba Tambwe in a new edition of "letters for later".
Handle with care featuring Simon Mayer "Being Moved"
Scenography student Flora Valentina shares her thoughts about the Handle with care featuring Simon Mayer's "Being Moved" in a new edition of "Letters for Later"
Simon Nagy, cultural studies researcher, feminist art educator and student of the Master programme "Critical Studies" at the Academy of Fine Arts Vienna, shares his thought about Roland Rauschmeier's "Timon" in a new edition of "Letters for Later". The author adresses his letter to the Roland Rauschmeier at the time of the "Handle with care" studio visit when Timon was still a work in progress in Ocotober and to the Roland Rauschmeier on stage at studio brut in December at the World Premiere of "Timon".
Queer sound artist, musician and music curator Zosia Hołubowska shares their thoughts about Tania El Khourys "Gardens Speak" in a new edition of "Letters for later".
Antonia Müller-Lüdenscheid, a lady of the Viennese society born in the 1900s, shares her thoughts about "Nesterval – A Gloomy Christmas at Grimm’s House" in a new edition of Letters for later.
Stefanie Molnar, student of Theatre, Film and Media Studies and Comparative Literature at the University of Vienna, shares their thoughts about the que_ring drama project's "Dark Revolutions" in a new edition of "Letters for later".
Melina Papoulia, dance student at MUK - Music and Arts University of the City of Vienna, shares her thoughts about Mirjam Sögner's "SPEAKING VOLUMES" in a new edition of "Letters for later".
Stefanie Sourial – Colonial Cocktail Volume 3: Digestivo. With Special Guests Bassano Bonelli und Mzamo Nondlwana
Wera Hippesroither, PhD student at University of Vienna and journalist (contemporary theatre reviews on pw-magazine.com) shares her thoughts about Stefanie Sourial's "Colonial Cocktail Volume 3: Digestivo" in a new edition of "Letters for later".
Ruchi Bajaj, student of Performance at DiverCityLab, shares her thoughts about ORATORIO EUROPA by Freundliche Mitte in a new edition of "Letters for later".
Student of theatre, film and media studies Anna Rumpler shares her thoughts on brut's season opening performance "Diorama" by Ingri Fiksdal in a new edition of "Letters for later".
Zoë Schreckenberg – Nach dem Aufstehen und vor dem Liegen
Student at the theatre, film and media studies department of the University of Vienna Lara Cortellini shares her thoughts on Zoë Schreckenberg's "After Getting Up and Before Lying Down".
Wera Hippesroither, PhD student and scientific project staff at University of Vienna, shares her thoughts about Asher O'Gorman's "the way of ink ••º• – a performative ceremony celebrating the dynamics of human and non-human bodies"
Student at the theatre, film and media studies department of the University of Vienna Eszti Zala and Performer Alex Bailey share their thoughts on Alex Franz Zehtbauer's "wet dreaming at 52Hz"
Performer Denise Palmieri and choreographer, performer and writer Claire Lefèvre share their thoughts about the imagetanz performance "sans culottes" by Robyn/Hugo Le Brigand.
Maiko Sakurai Karner & Cat Jimenez – WHAT'S THE DIFFERENCE?
Choreographer Philippe Riera and student at the Scenography department of the Academy of Fine Arts in Vienna Sophie Eidenberger share their thoughts on the imagetanz performance Maiko Sakurai Karner & Cat Jimenez – WHAT'S THE DIFFERENCE?
Choreographer and performer Costas Kekis and student at the Academy of Fine Arts Vienna Pato Wiesauer share their thoughts on the imagetanz opening performance OH MY by Henrike Iglesias.