Magazine

In the Field

In the Field unterwegs

Am Eröffnungswochenende der Wiener Festwochen hat sich die In the Field-Gruppe aufgemacht in die Donaustadt. Dort haben sie die Generalprobe zu „Diamante“ und Vorstellungen von „Beat House Donaustadt“, „undercurrents“ und „Corbeaux“ besucht. Teil des Programms war auch der Talk von Mariano Pensotti („Diamante“) und Christoph Reinprecht und ein exklusiver Austausch mit Sarah Vanhee („undercurrents“) und Veza Fernández.

In the Field

1st meeting: Bouchra Ouizguen und Doris Uhlich

At the first meeting, In the Field participants took part in a discussion with Austrian choreographer and performance artist Doris Uhlich and Moroccan dancer and choreographer Bouchra Ouizguen. Then they got an insight into the rehearsal of Quizguens "Corbeaux", which is performed in the context of the Wiener Festwochen.

In the Field

A festival excursion with brut Wien and the Wiener Festwochen

Programme

"Wenn wir untergehen, dann gemeinsam"

In ihren Arbeiten stellt die Choreografin und bildende Künstlerin Elisabeth Bakambamba Tambwe herkömmliche Sehweisen und Identitäten ironisch in Frage. Im Gespräch mit Clara Akinyosoye kritisiert sie den eindimensionalen europäischen Blick auf Afrika und fordert einen radikalen Perspektivenwechsel.

brut backstage

Cultural Infuencer wanted

The European theatre network Be SpectACTive! is looking for cultural influencers who want to travel through Europe, visit different theatres and feature their productions on instagram. The European call is open from 1 March to 15 April.

TURBO RESIDENCY 2013 BURGER/JACOBS/SABELLA © BURGER/JACOBS/SABELLA

brut backstage

Open call: TURBO Research Residencies 2019 in the context of ImPulsTanz – Vienna International Dance Festival

Zoë Schreckenberg – Nach dem Aufstehen und vor dem Liegen

imagetanz Letters for later

Zoë Schreckenberg – After Getting Up and Before Lying Down

Student at the theatre, film and media studies department of the University of Vienna Lara Cortellini shares her thoughts on Zoë Schreckenberg's "After Getting Up and Before Lying Down".

imagetanz Letters for later

Malika Fankha – Oxy Moron. A Utopia

Choreographer, performer and writer Claire Lefèvre shares her thoughts about the imagetanz performance "Oxy Moron" by Malika Fankha.

Letters for later imagetanz

Sophia Hörmann – GLOWING current moods

Performer and choreographer Evandro Pedroni shares his thoughts about Sophia Hörmann's GLOWING current moods.

imagetanz Letters for later

Elina Pirinen – Brume de Mer

Choreographer, director and dancer Christine Gaigg and dancer Alja Ferjan share their thoughts on Elina Pirinen's "Brume de Mer" .

Programme World Premieres imagetanz

Die unscheinbaren Momente dazwischen

Drei Fragen an Zoë Schreckenberg zu ihrer imagetanz-Uraufführung "nach dem Aufstehen und vor dem Liegen". Durch die Kombination des Hauptelements Körperbewegung mit live improvisierten elektronischen Klängen und dem skulpturalen Bühnenbild experimentiert die Performance mit Momenten des Übergangs.

Handle with care mit Asher O'Gorman – the way of ink ••º•. a performative ceremony celebrating the dynamics of human and non-human bodies

imagetanz Letters for later

Handle with care featuring Asher O'Gorman

Wera Hippesroither, PhD student and scientific project staff at University of Vienna, shares her thoughts about Asher O'Gorman's "the way of ink ••º• – a performative ceremony celebrating the dynamics of human and non-human bodies"

Jasmin Hoffer / Sara Lanner / Liv Schellander – Volume

imagetanz Letters for later

Sara Lanner / Jasmin Hoffer / Liv Schellander – Volume

The performers Marcus Fisch and Dorothea Zeyringer share their thoughts about "Volume" by Jasmin Hoffer / Sara Lanner / Liv Schellander.

brut backstage

Führung Kunst & Kultur – eine Initiative von Neue Wiener

Anlässlich der Neubesetzung des Wiener Volkstheaters hat Neue Wiener Theaterkritik neun Führungspersonen kleiner, mittlerer und ganz großer Bühnen Wiens zum YouTube-Interview über Machtstrukturen, Mitbestimmung und die besondere Verantwortung von Leiter_innen künstlerischer Betriebe getroffen.

imagetanz Letters for later

Alex Franz Zehetbauer – wet dreaming at 52Hz

Student at the theatre, film and media studies department of the University of Vienna Eszti Zala and Performer Alex Bailey share their thoughts on Alex Franz Zehtbauer's "wet dreaming at 52Hz"

Handle with care mit Inge Gappmaier – protect.

imagetanz Letters for later

Handle with care featuring Inge Gappmaier – protect.

Dancer and choreographer Deborah Hazler shares her thoughts about the imagetanz Handle with care featuring Inge Gappmaier – protect.

imagetanz Letters for later

Robyn/Hugo Le Brigand – sans culottes

Performer Denise Palmieri and choreographer, performer and writer Claire Lefèvre share their thoughts about the imagetanz performance "sans culottes" by Robyn/Hugo Le Brigand.

Cat Jimenez & Maiko Sakurai Karner – WHAT'S THE DIFFERENCE?

imagetanz Letters for later

Maiko Sakurai Karner & Cat Jimenez – WHAT'S THE DIFFERENCE?

Choreographer and performer Philippe Riera and Scenography department of the Academy of Fine Arts in Vienna Sophie Eidenberger share their thoughts on the imagetanz performance Maiko Sakurai Karner & Cat Jimenez – WHAT'S THE DIFFERENCE?

imagetanz Letters for later

Henrike Iglesias – OH MY

Choreographer and performer Costas Kekis and student at the Academy of Fine Arts Vienna Pato Wiesauer share their thoughts on the imagetanz opening performance OH MY by Henrike Iglesias.

Programme World Premieres imagetanz

The Sonic Intelligence of Whales

"Wet dreaming at 52Hz" translates the science of the whale experience into the abstract. With this performance, Alex searches for what it would mean to have the mind of a whale or to perform in a room full of whale-minded people.

Programme World Premieres imagetanz

Konfrontationsort Mund

Tanzende Kiefer und nie gehaltene Münder: Drei Fragen an Jasmin Hoffer, Sara Lanner & Liv Schellander zu ihrer imagetant-Uraufführung "Volume".

Programme World Premieres imagetanz

Wann bin ich Asiatin und wann Europäerin?

Bipolare Neigungen, kulturelle Hierarchien und Alltagsrassismus – Drei Fragen an Cat Jimenez & Maiko Sakurai Karner zu ihrer imagetanz-Uraufführung WHAT'S THE DIFFERENCE?

Programme World Premieres imagetanz

Gibt es das ultimative GLOW-Erlebnis?

Sophia Hörmann entwirft zu den Themen Selbstdarstellung und Erwartungshaltung ein Setting, in dem sie als Grenzgängerin buchstäblich durch Sphären und Emotionen gleitet.Drei Fragen an Sophia Hörmann zu ihrer imagetanz-Uraufführung "GLOWING current moods"

Letters for later

To celebrate 30 years of imagetanz, brut in collaboration with choreographer and writer Claire Lefèvre, presents Letters for later, a writing initiative by and for performance artists and students.