Welcome to 1030!

16 Oct

Season Opening with Veza Fernández & Tony Wagner, Catol Teixeira & Chaos Clay, Wojciech Grudziński

  • Performative intervention
  • DJ set
  • Party
A person with a shaved head, beard and earring poses in front of grey grid-like wall panels. They are wearing a blue-grey patterned knitted jumper and dark trousers. One leg is bent, one arm is stretched upwards and cut off by the upper edge of the image. Their gaze is directed sideways and downwards, and the posture appears focused and dance-like.
Wojciech Grudziński
© Marek Zimakiewicz

Event information

Price

Free admission

Access Friends

brut opens the new season with two arrivals: after many years at brut nordwest, we invite you to join us in the early evening for our first season opening in the third district. At the same time, we welcome a new artistic direction under Tomasz Kireńczuk.

The area surrounding our future home, still under construction, becomes a place to gather, celebrate, and imagine what is yet to come. Centred around a platform stage, it transforms into a temporary space for encounters, performances, and shared experiences, alongside food and drinks.

Within this unfolding temporary space, THE BALLAD SAT ON YOUR TONGUE by Veza Fernández and Tony Wagner unfolds as a sonic and vocal weave: violin, voice, noise and ambient tension intertwine, forming a conversation that moves through language and beyond it. What emerges is a shared field of listening, where sound touches body, where flesh and resonance drift into unfamiliar worlds, held together by fragile intensities.

Catol Teixeira and Chaos Clay transform the construction site with with<3out provisions #2 into a space full of oracular associations and possible promises. In this performative intervention, improvisations through movement and sound unfold continuous in the break, while remaining open to continuous transformation. with<3out provisions #2 is a gesture of remembrance that leads into landscapes of the unpromised and creates tactile witnesses to what might have always been there.

Wojciech Grudziński’s performative intervention explores the body as a site where histories, hierarchies, and desires meet and enter into relation with their surroundings. Shaped by his ballet training and socialisation in post-communist Poland, he examines the hierarchies embedded in dance traditions and their echoes in the present. His precise, physically intense works draw on archival research and queer speculation, bringing forgotten and marginalised histories into the present.

In between the performances, the programme is accompanied by sound from Gawdesque, Seba Kayan and DJ Keshi. The contributions move between poetic and atmospheric textures, working with vocal fragments and experimental sound practices, with the aim to uplift and sustain community spirit throughout the evening. As the night unfolds, the sound takes us to a club context and opens up space for collective dancing and celebration.

From 22:00, the night continues at The Nice Guys with a party and DJ sets next door, shifting the event from outdoors to indoors.

Come by, meet familiar faces and new neighbours and discover the new surroundings of brut Wien together with us!

Dates

  • 16 Oct
    Fri
    18:00
    Free admission

Media

Close portrait of a person with a shaved head, beard and earring, wearing a white T-shirt. The person looks directly into the camera, with their head slightly tilted back. One arm is stretched out and blurred in the foreground, giving the image an intimate sense of movement. Grey grid-like wall panels are visible in the background.
Wojciech Grudziński
© Marek Zimakiewicz
Two people are making music close together in front of a plain grey wall. In the background, one person dressed in dark clothing is playing the violin with their gaze lowered. In the foreground, another person is holding a black microphone, wearing a red top and tilting their head back with their mouth open, as if singing. The image feels soft and intimate, with slightly blurred edges and muted light.
Veza Fernández & Tony Wagner
© Hanna Fasching
Two people move closely together in a bright, minimal space. One person in a red dress stretches one arm far upwards, while the other person in dark clothing places one arm above their head. Both have their eyes closed or their gaze turned away. Their posture suggests a shared dance movement, balancing tension, closeness and release.
Veza Fernández & Tony Wagner
© Hanna Fasching
A person sits on a white chair in front of a pale wall. They wear a dark cap, a loose dark checked shirt and a silver chain necklace, with a visible tattoo on the upper chest. Their hands are folded in their lap, and they look calmly and directly at the camera.
Catol Teixeira
© Catol Teixeira
A person stands at DJ equipment in front of a grey wall. They wear sunglasses, a beige sleeveless hooded vest with white seams and shiny black sleeves underneath. One hand rests on a controller, with more technical equipment beside it. Flash lighting casts a strong shadow on the wall behind them.
Chaos Clay
© David Mesa
A person stands in a small indoor room next to DJ equipment and looks directly into the camera. They are wearing headphones, a pink long-sleeved top and matching pink trousers with cut-outs at the waistband. The person has shoulder-length locs, striking eye make-up, jewellery and a belly-button piercing. A DJ controller and mixer appear blurred in the foreground. Posters, drawings, textiles and a black strip with a white graphic line hang on the white walls. The image feels spontaneous and slightly flash-lit, like a snapshot taken in a backstage or rehearsal space.
Gwadesque
© Fadia Hanuna
A person with long dark hair stands outdoors against a pale blue sky. The photo is taken from below. The person wears a light-coloured suit with a high-neck top, large gold hoop earrings and several rings. One hand is raised, and their gaze is direct and serious towards the camera.
Seba Kayan
© Manuela Larissegger
A person is shown in a close-up portrait against a blue background. The image is photographed from a slightly low angle, making the person appear to look upwards and beyond the frame. They are wearing a white sleeveless top, a silver chain necklace and small hair clips in their long dark hair. Shiny rhinestones and light make-up around the eyes catch the dim light. The face is softly lit, while the edges of the image appear slightly blurred and dark. The mood is calm, focused and atmospheric.
DJ Keshi
© Julia Maria Gruber

Contributors

Credits

Catol Teixeira & Chaos Clay with<3out provisions #2
Concept & performance: Catol Teixeira, Chaos Clay
Production support: Rabea Grand, Cynthia Naef

Veza Fernández & Tony Wagner THE BALLAD SAT ON YOUR TONGUE
Performance: Veza Ferandez, Tony Wagner
Production: mollusca productions

Veza Fernández

Veza Fernández is a dance, voice and performance artist based in Vienna. Her work tackles the poetics and politics of voice expression as a place of relationship, imagination and transformation. She combines singing, writing, dancing and talking as physical forms of study, experiment and performance. Her pieces are sensitive and intense, creating a polyphonous gathering of voices and presences eager to be moved. Veza Fernández’s background includes philology, education, theatre, music and contemporary dance – areas that influence her artistic research and way of working in art production and presentation in diverse ways. Her work has strong local roots and penetrates from the underground scene into larger dance and theatre institutions. Veza Fernández holds a master’s degree in Choreography from DAS Graduate School (Amsterdam Academy for Theatre and Dance). Her work has been shown, among other places, at brut Wien, Tanzquartier Wien, Sophiensæle Berlin, Gessnerallee Zurich, de Singel Antwerp and La Casa Encendida Madrid. www.vezafernandez.com

Tony Wagner

Tony Wagner (he/they) is a musician and artist working at the intersection of avant-garde composition, experimental sound and trans-disciplinary performance. His practice encompasses solo compositions under his own name, collaborative projects with the duo Snake Boots and the collective Transformative Narratives, as well as original scores for film, theatre, and performance. Tony Wagner’s compositions have been presented across various performance, theatre, and experimental music contexts. Beyond his artistic practice, he contributes to Vienna’s music scene as co-manager of the music platform Tender Matter.

Catol Teixeira

Catol Teixeira is a dancer and choreographer based between Geneva and Rio de Janeiro. Born in Porto Alegre and raised in Rio, they developed a compositional practice rooted in translation, transitioning and the act of invocations. They studied contemporary dance at La Manufacture in Lausanne and Work.Master at Haute école d’art et de design Genève (HEAD). Their choreographies have been presented at venues and festivals including Pavillon ADC (Geneva), Théâtre Vidy-Lausanne (Lausanne), Tanzquartier Wien, Festival Actoral (Marseille), Santarcangelo Festival, and Festival d’Avignon. Their work explores forms of coexistence and relationship through collaborative processes and kuir (‘queer’) and trans-(dis)orientations.

Chaos Clay

Chaos Clay is a Marseille-based artist, curator, DJ, and producer. They create space-times for multiple and fluid embodiments, exploring the cultural productions of queer and racialised communities through sound, performance, and installation. Their practice brings together theoretical and popular forms of knowledge through an Afrofuturist perspective. Chaos Clay holds a master’s degree in CCC – Critical Curatorial Cybermedia Studies from Haute école d’art et de design Genève (HEAD) and a bachelor’s degree in visual arts from the Royal Academy of Fine Arts in Brussels. They have presented their work at venues including Haus der Kulturen der Welt (Berlin), Swiss Institute (New York), and Arsenic – Centre d’art scénique contemporain (Lausanne).

Wojciech Grudziński

Wojciech Grudziński is a Polish artist, choreographer and dancer based between Warsaw and Amsterdam. His practice explores power dynamics in theatre and dance, examining gestures, habits, and the social conditions that shape movement and our understanding of the body. He studied at the Warsaw State Ballet School, CODARTS Rotterdam, and DAS Theatre Amsterdam. His recent work CUTE & AWKWARD was presented at ImPulsTanz Festival 2026. He is an associated artist at Frascati in Amsterdam.

Gawdesque

Based in Vienna Gawdesque celebrates their African heritage and its global branches through the music they play; genres of West and South African origin, the African diaspora in the Americas and the Caribbean to create an eclectic blend of sounds to lift community spirit, lubricate the spinal joints and invites joyful dancing. Together with JTiwa they are a resident DJ of the Vienna based Afro-Event Crew Vinity. Notable places they’ve deejayed at include Klub Halal x Wiener Festwochen 2026, the opening party of WIENWOCHE 2025, TRANS-DIMENSIONAL 2025, blechsonne Festival 2024, donauinselfest 2024, YOUKI Festival 2024 and eddy Festival 2024. The artist’s name Gawdesque honours the power of the creative spirit – ‘the god-esque in us’ – and serves as a personal affirmation of said spirit.

Seba Kayan

Seba Kayan is a music producer, DJ and lecturer at the Academy of Fine Arts Vienna. Drawing from her Kurdish heritage and Austrian upbringing, she creates electronic music that connects diasporic sonic traditions with contemporary club culture. Her work challenges Western-dominated narratives in electronic music by weaving sounds from Southwest Asia, North Africa, and Anatolia into techno and rave contexts. She was nominated for the Amadeus Austrian Music Award in the category Electronic/Dance in 2026 and performs internationally at festivals, in clubs and at cultural institutions, including the donaufestival, the Jupiter Disco (New York), the Grelle Forelle and the Austrian Cultural Forum in New York.

DJ Keshi

DJ Keshi is a Vienna-based DJ with Iranian-Kurdish heritage working between underground club culture and experimental sound practices. Her genre-fluid sets move through bass-heavy club contexts, breakbeats, atmospheric textures, and vocal fragments, connecting them into dynamic, shifting narratives. Shaped by themes of displacement, resistance, and belonging, her work connects fragmented memories with collective experience and the emotional spectrum of the dancefloor. She understands the dancefloor as a space of encounter and liberation, where bodies can move freely, connect, and experience collectivity through sound.

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