When activist movements gain momentum, even win elections after many years of struggle and work on the ground, there is a lot of enthusiasm – but also larger-than-life expectations. A diverse electorate with often very different expectations demands immediate and fundamental shifts of politics. The parties once in power just wait for any opportunity to attack. The former establishment uses its long-knit networks to slow down any transition. And former allies accuse the elected representatives of their compromises. So, what does it actually mean to govern, to change structures, work with a large administration, include the political base, and accomplish concrete change?
Inspired by the impressive development of the Croatian movement “Možemo!” with its landslide victory in the Zagreb city elections in May 2021, in this edition of The Art of Assembly cultural worker and activist Teodor Celakoski describes the strategies used to achieve “Možemo!’s” success and talks about the difficulties to implement new policy. Artist, activist and former member of the Spanish parliament Marcelo Expósito gives insides in the struggles, achievements, and failures of Podemos and other citizens’ electoral organizations in Spain. Drawing on the trajectory of SYRIZA after winning the general election in Greece in 2015, philosopher Athena Athanasiou reflects on the general conditions activist movements are confronted with when coming to power.
XVI: Shifting Power. When Grassroots Movements Win Elections (Athena Athanasiou, Teodor Celakoski, Marcelo Expósito & Florian Malzacher)
Gesellschaftsspiele. The Art of Assembly is a series of lectures and conversations on the potential of assemblies in activism, art and politics hosted by Florian Malzacher. Former and future guests include Judith Butler, Jodie Dean, Radha D`Souza, Didier Eribon, Max Haiven, Oliver Marchart, Alia Mossallam, Chantal Mouffe, Sibylle Peters, Milo Rau, Oliver Ressler, Jonas Staal & Dana Yahalomi. The series is produced by brut Wien, in cooperation with Münchner Kammerspiele, Wiener Festwochen and Volksbühne am Rosa-Luxemburg-Platz.
Whether in Tunis, Cairo, Madrid, or Lisbon, in Athens, New York, London, or Istanbul, in post-Fukushima Tokyo, in the midst of Niemeyer’s iconic parliamentary architecture in Brasilia, under the umbrellas of Hong Kong, or on the streets of Minneapolis: social and political movements of recent years have often been characterised by their search for alternative forms of gathering, of arguing and making decisions, of negotiating community and society. The potential of these assemblies lies in more than just the demands they put forward; many of them change reality merely by practicing radical models of democracy.
The arts have also shown a renewed interest in concepts of gathering and creating public spheres in which society is not only mirrored but constantly tried out, performed, tested, reimagined, or even reinvented. There are court hearings on artistic freedom, religion, and censorship; tribunals on exploitation and violence; summits on climate change or cultural policy; parliaments allowing those who are usually silenced to speak... Theatre in particular has become a stage for assemblies on the fine line between art and reality, a democratic arena of radical imagination.
But what is the future this concept of gathering has ahead of it after months in a state of emergency that has thrown pretty much all areas of social life out of step? Gesellschaftsspiele: The Art of Assembly brings together protagonists from various fields of art, politics and theory to speculate on the future of assembly in a time of experiencing that nothing is certain – a time in which every form of physical togetherness has become precarious.
Florian Malzacher is a curator, dramaturg and writer. 2013-2017 he was artistic director of Impulse Theater Festival (Cologne, Dusseldorf and Mulheim/Ruhr), and 2006–2012 co-programmer of the multidisciplinary arts festival steirischer herbst (Graz). He (co-)curated e.g. the 4th and 5th International Summer Academy (Mousonturm Frankfurt, 2002 and 2004), “Dictionary of War” (2006/07), “Truth is concrete” (Graz, 2012), “Artist Organisations International” (HAU Berlin, 2015), “Appropriations” (Ethnological Museum Berlin, 2014), “Sense of Possibility” on the occasion of the 100th anniversary of the revolution (St. Petersburg, 2017), “Training for the Future” (Ruhrtriennale 2018/19 with Jonas Staal), “After Supervising the Machinery” (2020). As a dramaturge he worked with artists like Rimini Protokoll (DE), Lola Arias (ARG), Mariano Pensotti (ARG), and Nature Theater of Oklahoma (USA). Florian Malzacher has edited and written numerous essays and books on theatre and performance and on the relationship between art and politics. His latest publications include Gesellschaftsspiele. Politisches Theater heute im Alexander Verlag Berlin. florianmalzacher.tumblr.com
Florian Malzacher. Gesellschaftsspiele. Politisches Theater heute. Berlin: Alexander Verlag, 2020.
Former guests Didier Eribon Chantal Mouffe, Sibylle Peters, Julia Ramírez-Blanco, Milo Rau, Oliver Ressler, Dana Yahalomi / Public Movement, Jodi Dean, Jonas Staal and many more Curated by Florian Malzacher
The Art of Assembly – Gesellschaftsspiele, a series by Florian Malzacher and brut Wien, in cooperation with Münchner Kammerspiele, Wiener Festwochen, Volksbühne am Rosa-Luxemburg-Platz (Berlin), BIT Teatergarasjen / METEOR 2021 and Goethe-Institut / Performing Architecture.
Kunsthalle Vienna
Treitlstraße 2, 1040 Vienna
accessible
Nordwestbahnstraße 8-10, 1200 Vienna
Subway: U1, U2 (Praterstern), U4 (Friedensbrücke), U6 (Dresdnerstraße) Tram: 5 (Nordwestbahnstraße) Bus: 5A (Wasnergasse)
not accessible
Zieglergasse 25, 1070 Wien
Subway: U3 (Zieglergasse), Tram: 49 (Westbahnstraße / Zieglergasse)
Eschenbachgasse 11 / Ecke Getreidemarkt, 1010 Vienna
U-Bahn: U4, U1 (Karlsplatz), Tram: 1, 2, D, 71 (Burgring), Bus: 57A (Getreidemarkt)