varukt | Inge Gappmaier Stadt der Körperlosen

17–19 Dec
The image shows a small white rectangular model or object with an open wooden frame standing on a dark floor in the foreground. On the right, a large blurred light-coloured surface obscures part of the image. Several people in motion are visible in the background, appearing heavily blurred due to the shallow depth of field. Individual items of clothing in black, brown and red can be seen. There is no text in the image.
varukt | Inge Gappmaier – Stadt der Körperlosen
© varukt | Inge Gappmaier

Event information

Price

22 / 18 / 14 Euro

Duration

approx. 70 Min.

Language

German and English

Content Notes

Taktiles Leitsystem

Registration of an assistance

Access Friends

Touch tour

Audio description

Stadt der Körperlosen (City of the Bodiless) is a dance performance. On stage, Inge Gappmaier and her team have created an abstract city. The audience sits in the middle of this city and experiences the performance from different perspectives. The work explores the following questions: How does digital technology change our lives? How does it change the way we think? How does it change the way we live together with other people?

The dance performance Stadt der Körperlosen (City of the Bodiless) takes the audience into a shifting urban landscape in which the dimensions of space, time and embodiment are thrown into disarray. Together with five performers, choreographer Inge Gappmaier explores how digital communication technologies shape our understanding of ourselves as human beings and our notions of living together.

Between disorientation and connectedness, control and loss of agency, the performance opens up a space of experience that reflects the ongoing renegotiation of reference systems in an increasingly digital world. Placed within the model city designed by Mira König and the real-time sound architecture composed by Paul Kotal, the audience is guided into different perspectives of perception. Digital and physical logics of space and time shift in relation to one another and develop their own distinct dynamics. Spaces of reflection emerge on collective organisation, feeling of powerlessness, and how we deal with proximity and distance.

At the heart of the dance performance lie questions of orientation and humanity in a world where boundaries are increasingly being violated by force and familiar frames of references are being eroded. Stadt der Körperlosen invites the audience on an exploration of the city as an abstract concept, in which poetic shifts reveal unfamiliar perspectives.

Media

The image shows a small white rectangular model or object with an open wooden frame standing on a dark floor in the foreground. On the right, a large blurred light-coloured surface obscures part of the image. Several people in motion are visible in the background, appearing heavily blurred due to the shallow depth of field. Individual items of clothing in black, brown and red can be seen. There is no text in the image.
varukt | Inge Gappmaier – Stadt der Körperlosen
© varukt | Inge Gappmaier
The image shows several people in motion in a room with grey walls and a dark floor. A large blurred light-coloured area in the foreground obscures most of the scene. On the left, a person wearing a dark top and brown trousers is visible, with another person in a pale pink top behind them. A small white rectangular object stands on the floor. There is no text in the image.
varukt | Inge Gappmaier – Stadt der Körperlosen
© varukt | Inge Gappmaier
The image shows partial views of several people in a grey interior. On the left, the legs of two people are visible: one wears red trousers, while the other wears light-coloured trousers and is barefoot. Behind a semi-transparent or blurred surface, another person can be seen in a bent posture. A small white rectangular object stands on the dark floor in the foreground. There is no text in the image.
varukt | Inge Gappmaier – Stadt der Körperlosen
© varukt | Inge Gappmaier
The image shows a group of people in different interconnected body positions in front of a grey wall. Some are standing, while others are kneeling or bending backwards and reaching for the hands or arms of other people. Their clothing includes white, red, black, brown and orange. The group is positioned on the left side of the image, while the right half remains largely empty. The photograph is slightly out of focus. There is no text in the image.
varukt | Inge Gappmaier – Stadt der Körperlosen
© varukt | Inge Gappmaier

Audio flyer

The speaker is Inge Gappmaier

The speaker is Inge Gappmaier

Intro brut accessible voice: Anna Mendelssohn
Jingle & music: B.Visible @b.visible

Contributors

Credits

Artistic Direction, Choreography & Production: Inge Gappmaier
Dance: Antoine Effroy, Su Huber, Lea Karnutsch, Sara Lanner, Luan de Lima
Composition & Sound design: Paul Kotal
Stage & Costumes: Mira König
Light design: Robert Lässig
Dramaturgy: Alexandra Pâzgu
Administration: Julia Haas
German audio description & advice on accessibility for blind and visually impaired audiences: Ray Scheinecker, Katharina Senk

A co-production by varukt and brut Wien
Funded by the City of Vienna’s Department of Cultural Affairs (MA 7)

Inge Gappmaier

Inge Gappmaier is an independent choreographer, dancer, pedagogue and researcher. Across various formats, she explores contemporary self-conception of the human body at the intersection of poetry, technology, historical developments, and social structures. She studied choreography and performance (ATW, Giessen) as well as dance pedagogy (MUK, Vienna). In 2019, she founded the association varukt and has since collaborated, among others, with brut Wien, Kosmos Theater, Plesni Teater Ljubljana, Lebendiges Tanzarchiv Wien, KubusEXPORT, and D-CAF Cairo, among others. Inge Gappmaier last appeared at brut Wien in 2025 with her production protect. there is no wind in geometrical worlds.

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