The starting point of the workshop are short impulses drawn from the current situation: structures of power and violence that continue to hinder the inclusion and participation of artists with disabilities in the arts and cultural sector. Adopting a cultural studies perspective, we will explore what ableism and inclusion mean for ourselves and for our work in the field of arts and culture.

Furthermore, we will reflect on our shared visions for the arts and cultural landscape: What sustains and guides our work? How can we shape a collective, inclusive way of being and working together in the arts? How do we imagine collaboration — and what requires change? At the heart of the workshop lies the question: How to be an ally?

The workshop is open to both professionals working in institutions and artists who have already engaged with the Access Rider or wish to do so.

The aim of the workshop is to establish a first foundation that understands accessibility and inclusion as prerequisites for fair collaboration and open dialogue between artists and institutions. We will explore initial practical approaches for artists to create an Access Rider, while also discussing which access measures and barriers need to be made visible by institutions to enable truly accessible working conditions.

Elisabeth Magdlener is a scholar, artist, and advocate working at the intersection of queer and disability studies. As a dancer and long-time member of the international community dance movements DanceAbility and A.D.A.M. (Austrian DanceArt Movement, she explores inclusive and transformative practices in the arts. Elisabeth Magdlener is the author of Cripping Dance? Potenziale und Ambivalenzen im inklusiven Tanz and is currently completing the university programme Inclusion and Transformation in Organisations (since 2023).

Tanja Erhart, London-based Austrian, identifies as a disabled dancer and cultural anthropologist. She performed in pieces by the Candoco Dance Company, Claire Cunningham, Michael Turinsky and many more. Tanja champions individually accessible dance training, teaches and performs at several events. Her current interest is her own wellbeing as she analyses what it means to live in interdependence and to explore the movement languages of her three different physicalities: with crutches, with wheel-chair and without any of her mobility tools.