With Ahmed Al-Nawas (Helsinki), Nora Sternfeld (Vienna/Hamburg) & Sarah Waterfeld / Staub zu Glitzer (Berlin) Hosted by Florian Malzacher
Gesellschaftsspiele. The Art of Assembly IX – in cooperation with BIT Teatergarasjen Bergen/Norwegen
REASSEMBLING INSTITUTIONS
Can institutions be driving forces of change? Or are they doomed to be bastions of the status quo, capable of slow reforms at best? Arguments about institutions, instituting and institutionalizing are at the core of many progressive movements. But what would it actually mean to imagine institutions in a radical democratic way? How can we understand museums, theatres, galleries, festivals, biennales as assemblies – not only symbolically but by consequently re-negotiating their organizational structures? Curator Ahmed Al-Nawas, focusing in his work on collaborative, anti-racist and de-colonizing practices, takes a close look at the role of authorship and representation within collectives. Nora Sternfeld, art educator and curator, negotiates the possibilities for a radical-democratic museum, imagining a future that is more than the mere extension of the present. And Sarah Waterfeld, spokesperson of the collective Staub zu Glitzer (Dust to Glitter) that occupied 2017 Volksbühne in Berlin with its transmedia theatre production B6112, demands a fundamental rethinking of the way the iconic ‘people’s theatre’ is run.
Visit art-of-assembly.net for videos, podcasts and background info
Gesellschaftsspiele. The Art of Assembly is a series of lectures and conversations on the potential of assemblies in activism, art and politics hosted by Florian Malzacher. Former and future guests include Judith Butler, Jodie Dean, Radha D`Souza, Didier Eribon, Max Haiven, Oliver Marchart, Alia Mossallam, Chantal Mouffe, Sibylle Peters, Milo Rau, Oliver Ressler, Jonas Staal & Dana Yahalomi. The series is produced by brut Wien, in cooperation with Münchner Kammerspiele, Wiener Festwochen and Volksbühne am Rosa-Luxemburg-Platz.
About The Art of Assembly. Lectures, discussions, online platform
Whether in Tunis, Cairo, Madrid, or Lisbon, in Athens, New York, London, or Istanbul, in post-Fukushima Tokyo, in the midst of Niemeyer’s iconic parliamentary architecture in Brasilia, under the umbrellas of Hong Kong, or on the streets of Minneapolis: social and political movements of recent years have often been characterised by their search for alternative forms of gathering, of arguing and making decisions, of negotiating community and society. The potential of these assemblies lies in more than just the demands they put forward; many of them change reality merely by practicing radical models of democracy.
The arts have also shown a renewed interest in concepts of gathering and creating public spheres in which society is not only mirrored but constantly tried out, performed, tested, reimagined, or even reinvented. There are court hearings on artistic freedom, religion, and censorship; tribunals on exploitation and violence; summits on climate change or cultural policy; parliaments allowing those who are usually silenced to speak... Theatre in particular has become a stage for assemblies on the fine line between art and reality, a democratic arena of radical imagination.
But what is the future this concept of gathering has ahead of it after months in a state of emergency that has thrown pretty much all areas of social life out of step? Gesellschaftsspiele: The Art of Assembly brings together protagonists from various fields of art, politics and theory to speculate on the future of assembly in a time of experiencing that nothing is certain – a time in which every form of physical togetherness has become precarious.
Florian Malzacher is a curator, dramaturg and writer. 2013-2017 he was artistic director of Impulse Theater Festival (Cologne, Dusseldorf and Mulheim/Ruhr), and 2006–2012 co-programmer of the multidisciplinary arts festival steirischer herbst (Graz). He (co-)curated e.g. the 4th and 5th International Summer Academy (Mousonturm Frankfurt, 2002 and 2004), “Dictionary of War” (2006/07), “Truth is concrete” (Graz, 2012), “Artist Organisations International” (HAU Berlin, 2015), “Appropriations” (Ethnological Museum Berlin, 2014), “Sense of Possibility” on the occasion of the 100th anniversary of the revolution (St. Petersburg, 2017), “Training for the Future” (Ruhrtriennale 2018/19 with Jonas Staal), “After Supervising the Machinery” (2020). As a dramaturge he worked with artists like Rimini Protokoll (DE), Lola Arias (ARG), Mariano Pensotti (ARG), and Nature Theater of Oklahoma (USA). Florian Malzacher has edited and written numerous essays and books on theatre and performance and on the relationship between art and politics. His latest publications include Gesellschaftsspiele. Politisches Theater heute im Alexander Verlag Berlin. florianmalzacher.tumblr.com
The Art of Assembly is based on
Florian Malzacher. Gesellschaftsspiele. Politisches Theater heute. Berlin: Alexander Verlag, 2020.
Credits
The Art of Assembly – Gesellschaftsspiele, a series by Florian Malzacher and brut Wien, in cooperation with Münchner Kammerspiele, Wiener Festwochen, Volksbühne am Rosa-Luxemburg-Platz (Berlin) and BIT Teatergarasjen / METEOR 2021
Links & Social
Dates & Tickets
October 2021
Livestream via: brut-wien.at
Online Livestream via brut-wien.at