Wiener Festwochen

Wiener Festwochen

The Wiener Festwochen were established in 1951. Emerging as a »demonstration of Austria's will to survive«, it was to prove to the world that a city marked by the ravages of war and its aftermath was able to engage in cultural activities. Undoubtedly, the Wiener Festwochen today serve a different function and fulfill different tasks.

, © Wiener Festwochen

Posters Wiener Festwochen

Vienna has become an undisputed cultural metropolis, and the Wiener Festwochen have evolved into an innovative event based on international co-operation. Yet this is precisely why the Wiener Festwochen cannot tolerate stagnation. Proven approaches may lose their significance in the face of a changing co-ordinate system of international relationships and traditions. Thus it is an objective of the festival to search for new aspects, to inspire discussions of current artistic production and thus to provide an answer to - not only artistic - developments.
As is well known, there is no dearth of European art festivals, and this is a good thing. Yet sceptical voices are gradually making themselves heard. The internationalisation of culture is linked to a loss of identity, the monotonous glamour of time-tested professionalism is viewed as an outcome of the arbitrary interchangeability of a culture which, instead of producing, merely reproduces itself, thereby losing its contact with the place in which it is created.
These are serious words of criticism, but they do not apply to the Wiener Festwochen. On the contrary: since its establishment, the festival has been integrated into the cultural calendar of the city, and this is as true today as it ever was before - perhaps even more so.
A city in which Burgtheater and State Opera, Akademietheater and Volkstheater, Volksoper and Raimundtheater, Theater in der Josefstadt and Theater an der Wien, the Ronacher and more than 30 further medium-sized and small theatres try to attract audiences on

over 300 days a year, where a wealth of museums and galleries, Musikverein and Konzerthaus open their doors to the public, the Wiener Festwochen are faced with the question of how to present art and culture in a manner that will interest and fascinate visitors even in May and June, i.e. at the very end of an eventful season.
Today the Wiener Festwochen are a firmly established high-point of the cultural calendar of Vienna: a metropolitan festival that sets particular accents, enters into a dialogue with artistic creations of other cities of Europe and the world at large and presents spectacular productions while at the same time upholding and showcasing Viennese creativity.
The primary guidelines of programme conception aim at offering the local public as well as an international audience homogeneous additions or interesting alternatives to round-the-year programmes. Special Festival productions, joint productions as well as guest performances for which regular operating funds simply do not suffice are presented. All programme items have one common feature: the love of risk, the commitment to a type of art that may also trigger a productive scandal. The Wiener Festwochen offer an additional opportunity for innovative impulses by the Viennese scene, important encounters with cultural productions from abroad, a universal discussion of art and culture and above all involves all Viennese citizens into its cultural events. The Wiener Festwochen are not only a reflection of the city's infatuation with art but also provide an opportunity to open the door to other worlds and cultures.
However, the Wiener Festwochen are not only a place of cultural events but also take committed positions at a time that calls for commitment, for reasonable approaches, and they aim at contributing to shape the future as a forum of human co-existence, guided by a spirit of true enlightenment.

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Aktuelle Spielorte

studio brut, Zieglergasse 25, 1070 Vienna

studio brut

Zieglergasse 25, 1070 Wien
U-Bahn: U3 (Zieglergasse), Tram: 49 (Westbahnstraße / Zieglergasse)

January 2020
Theater im Bahnhof
Women's Gymnastics
January - February 2020
February 2020
Johannes Müller / Philine Rinnert + Genoël von Lilienstern
Aids Follies
February 2020
Hasnain Kazim
Auf sie mit Gebrüll! … und guten Argumenten. Wie man Pöblern and Populisten Paroli bietet
February 2020
Georg Blaschke & Jan Machacek
February 2020
Henrike Iglesias
(Gorging) Academy

brut im AIL Angewandte Innovation Lab

Franz-Josefs-Kai 3, 1010 Wien
U-Bahn: U1, U4 (Schwedenplatz) Tram: 1, 2 (Julius-Raab-Platz)

brut at Austrian Museum of Folk Life and Folk Art

Laudongasse 15-19, 1080 Vienna
Tram: 5, 33 (Laudongasse, Lange Gasse), 43, 44 (Lange Gasse), Bus: 13A (Laudongasse)

February 2020
Alix Eynaudi
Noa & Snow – Poem #1

brut at Vronihof

Veronikagasse 24, 1170 Wien
U-Bahn: U6 (Alserstraße), Tram: 44 (Hernalser Gürtel)

February 2020
Monique Fessl & Marta Navaridas
Live Performance MOET / Monique Fessl & Marta Navaridas

brut im ORF RadioKulturhaus, Studio 3

Argentinierstraße 30a, 1040 Wien
U-Bahn: U1 (Taubstummengase) Tram: D (Plößlgasse)

February 2020
Theater im Bahnhof
GUESTS – A Concentrated Talk Show featuring Pia Hierzegger and Guests

brut at Dschungel Wien

MuseumsQuartier Wien, Museumsplatz 1, 1070 Vienna
U-Bahn: U2 (Museumsquartier, Volkstheater), U3 (Volkstheater), Bus: 13A (Mariahilfer Straße / Stiftgasse), 57A (Burgring), Tram: 1, 2, 71, D (Burgring)

February 2020
Henrike Iglesias