Letters for later

Initiated by Claire Lefèvre, Letters for later is a writing project which allows audience members to write open letters about the performances programmed at brut. Addressed to the artists, to the piece, or to the world, these letters offer a gentle and personal alternative to review-writing, inviting spectators to share their impressions from a place of care and curiosity, while also acknowledging their subjectivity.
© Claire Lefèvre

Read all the Letters for later here

Writing about dance can be intimidating. But everybody knows how to write a letter. You usually start with the word Dear. Then you share your thoughts and perhaps update your recipient about how you're doing. There may be some questions for the reader. You finish with a kind word and a signature.

Initiated by Claire Lefèvre, Letters for later is a writing project which allows audience members to write open letters about the performances programmed at brut. Addressed to the artists, to the piece, or to the world, these letters offer a gentle and personal alternative to review-writing, inviting spectators to share their impressions from a place of care and curiosity, while also acknowledging their subjectivity.

This project aims to offer a plurality of perspectives upon the performances. It welcomes questions without demanding answers. It embraces intimate thoughts and experiences as a valid form of feedback and proposes its own time-frame: the letters will be available on brut's webpage all season, to be read on their own or as a collection, right after the shows or months later. Leaving behind a written trace of each performance and the imprint it had on one audience member.

The Letters for later will be written by members of brut’s new audience club BEATE. Meeting regularly during the whole season, BEATE accompanies rehearsals, projects and creative processes, creates dialogues with artists and takes part in brut's program decisions.

 

Claire Lefèvre is a French choreographer and performer working in Vienna (AT). A self-titled language nerd, Claire also teaches writing workshops, and is a contributing writer for Springback Magazine.

www.clairelefevre.com

www.springbackmagazine.com

Events

April 2024
Mon Tue Wed Thu Fri Sat Sun
01 02 03 04 05 06 07
08 09 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30          

brut all over Vienna

brut nordwest

accessible

Nordwestbahnstraße 8-10, 1200 Vienna
Subway: U1, U2 (Praterstern), U4 (Friedensbrücke), U6 (Dresdnerstraße) Tram: 5 (Nordwestbahnstraße) Bus: 5A (Wasnergasse)

April 2024
Daniela Georgieva
Fluscia
May - June 2024
Nesterval
The Pink Triangle

Meeting point: Gasthaus Hansy at Praterstern

accessible 

Heinestraße 42 , 1020 Vienna
Subway: U1, U2 (Praterstern) / S-Bahn: S1, S2, S3, S4, S7 (Praterstern) / Tram: 5 (Praterstern)

May - June 2024
Out and about featuring QWIEN
The Nameless of Leopoldstadt

brut at Bank Austria Kunstforum Wien

accessible

Freyung 8, 1010 Vienna
Subway: U1 (Stephansplatz), U2 (Schottentor), U3 (Herrengasse) / Tram: 1, 37, 38, 40, 41, 42, 43, 44 (Schottentor) / Bus: 1A, 2A (Herrengasse U), 3A (Renngasse)

June 2024
Aldo Giannotti in Collaboration with Karin Pauer
HOUSE OF CONSTRUCTS

Rote Bar at Volkstheater

accessible

Arthur-Schnitzler-Platz 1, 1070 Vienna
Subway: U3 (Volkstheater) / Tram: 49 (Volkstheater) / Bus: 48A (Volkstheater)

June 2024
Arno Böhler, Susanne Valerie Granzer, Sabina Holzer & Florian Reiners
RED MATTERS OF THE *HEART*

brut at Sportplatz 1210

accessible

Jedlersdorfer Platz 25, 1210 Vienna
Subway U6 (Florisdorf) / S-Bahn: S1, S2, S3, S4, S7 (Floridsdorf) / Tram: 30, 31 (Brünner Straße / Hanreitergasse) / Bus: 30A, 32A (Toni Fritsch Weg)

June 2024
Theater im Bahnhof
RUNNING OUT

studio brut

not accessible

Zieglergasse 25, 1070 Wien
Subway: U3 (Zieglergasse), Tram: 49 (Westbahnstraße / Zieglergasse)

April - May 2024
Claudia Lomoschitz
Vibrant Void

brut nordwest – rehearsal space

not accessible

Nordwestbahnstraße 8-10, 1200 Vienna

May 2024
Handle with care with Jaskaran Anand
June 2024
A temporary collective of students and artists from the Department of Site-Specific Art / University of Applied Arts Vienna
Exactly as Imagined